\n他是來自穹蒼之地Tagaraus大武山的排灣族創作歌手。
\n\n兩度入圍金曲獎及金音獎、並參與製作獲美國Global Music Award「世界音樂類」首獎的《神遊》專輯。
\n在他的創作中講述著排灣的故事、梳理著排灣的脈絡,並將這些作為基底,融入現代、流行、城市等元素。
他用他的音樂和聲音,打造出一首首充滿創意激情和文化內涵的歌曲,連結著土地與生活、歷史與現代,震盪著、卻也溫暖著每一位駐足聆聽的聽眾。
\n
\n已發行三張個人專輯,2016年《真圓ZEMIYAM》、2018年《VANGAV天窗》及2023年《TJAITEKU TUA QADAW太陽底下》。
他的歌聲溫暖厚實且觸動人心。重視現場氛圍與觀眾反應的他,總是能為不同的現場,安排最洽當的曲目以及做足充分準備以應任何變化。
\n他,是汲取Kacalisian(斜坡人)內涵Classical(古典)學識、當代風格的音樂Rakac(勇士)-Cemelesai徹摩。
2023 與新銳電音製作人DJ Waven合作的全新排灣族語電音創作單曲《TJAITEKU TUA QADAW太陽底下》。該作品蘊含了神話、歷史、與生活,將深厚的
\n\n文化內容在現代排灣族人身上以極具生命力的形式展現出來。
\n\n2020 參與製作與演唱合輯《神遊 Legendary Spirits of Dance》獲 2021 美國全球音樂獎世界音樂類首獎
\n2019 以徹摩XWaven組合創作之《MISALA MAVOK/享食》獲「2019台南文學季-台南Sing時代之歌原創音樂競賽」參獎
\n2019 以《VANGAV 天窗》專輯入圍第 30 届金曲獎「最佳原住民語歌手獎」、「最佳原住民語專輯獎」、「年度專輯獎」及第 10 届金音創作獎「最佳跨界或世界音樂單曲獎」
\n2018 發行第二張個人族語創作專輯《VANGAV 天窗》
\n2017 以《真圓 ZEMIYAN》專輯入圍第 28 届金曲獎「最佳原住民語歌手獎」及第 8 届金音創作獎「最佳民謠專輯獎」
\n2016 發行首張個人族語創作專輯《真圓ZEMIYAN》
\n2015 以『思念』創作歌曲獲舊愛新歡古典詩詞譜曲及演唱大賽狀元獎(冠軍)
\n2013 以《禮納里 Rinari》微電影主題曲入圍第二屆屏東電影節金緱獎「最佳原創音樂」
\n2010 以《瑪上回家》創作單曲獲瑪家鄉 senasena-i 原創音樂大賽銀牌獎
In 2024, Cemelesai Chemo officially stepped into the broadcasting scene, marking his debut as a radio personality! Hailing from the Tagaraus Mountains in the celestial realm, he is a Paiwan indigenous singer-songwriter.
\n\nHaving been nominated twice for the Golden Melody Awards and Golden Indie Music Awards, Cemelesai Chemo also played a crucial role in the production of the album "Wandering," which clinched the top prize in the "World Music" category at the prestigious US Global Music Awards.
\n\nIn his compositions, he weaves tales of Paiwan life, carefully untangling the threads of Paiwan culture. Using these as a foundation, he blends in elements of modern, pop, and urban styles. Through his music and vocals, he crafts songs brimming with creative passion and cultural depth, linking the land with life, history with the present, creating ripples that resonate and warm the hearts of every listener who pauses to listen.
\n\nWith three solo albums under his belt – "True Circle ZEMIYAM" in 2016, "VANGAV Skylight" in 2018, and "TJAITEKU TUA QADAW Under the Sun" in 2023 – Cemelesai Chemo's voice is warm, substantial, and deeply moving. Valuing the ambiance and audience reactions during live performances, he consistently tailors his setlist and prepares thoroughly to adapt to any changes that may come his way.
\n\nHe is the musical Rakac (warrior) Cemelesai Chemo, drawing inspiration from the wisdom of Kacalisian (Slope People) and infusing it with classical knowledge and contemporary styles.
\n",englishExperience:"In 2023, a brand-new electronic music collaboration emerged, featuring the innovative DJ Waven and the indigenous singer Cemelesai. The single, titled "TJAITEKU TUA QADAW Under the Sun," combines electronic beats with the Paiwan language, weaving together mythology, history, and daily life. This creation vividly showcases profound cultural elements in a vibrant contemporary expression among the Paiwan people.
\n\n\n\n
In 2020, Cemelesai participated in the production and vocals of the compilation album "Wandering: Legendary Spirits of Dance," winning the World Music category at the 2021 Global Music Awards.
\n\n\n\n
In 2019, the collaborative work "MISALA MAVOK/享食" by Cemelesai and Waven received honorable mention in the "2019 Tainan Literature Festival - Tainan Sing Era Original Music Competition."
\n\n\n\n
Also in 2019, Cemelesai's album "VANGAV Skylight" earned nominations at the 30th Golden Melody Awards for "Best Indigenous Language Singer," "Best Indigenous Language Album," and "Album of the Year." Additionally, it received nominations at the 10th Golden Indie Music Awards for "Best Cross-Genre or World Music Single."
\n\n\n\n
In 2018, Cemelesai released his second indigenous language album, "VANGAV Skylight."
\n\n\n\n
In 2017, his album "True Circle ZEMIYAN" was nominated at the 28th Golden Melody Awards for "Best Indigenous Language Singer" and at the 8th Golden Indie Music Awards for "Best Folk Album."
\n\n\n\n
Cemelesai's musical journey began in 2016 with the release of his debut indigenous language album, "True Circle ZEMIYAN."
\n\n\n\n
In 2015, his composition "思念" won the championship at the Old Love New Love Classical Poetry Composition and Singing Contest.
\n\n\n\n
In 2013, the theme song of the microfilm "禮納里 Rinari" earned a nomination for "Best Original Music" at the 2nd Pingtung Film Festival Golden Lute Awards.
\n\n\n\n
Back in 2010, his single "瑪上回家" won the Silver Award at the Masenal senasena-i Original Music Competition.
\n",createdAt:1704285575,updatedAt:1704286521,__v:0},{onShelf:!0,_id:"657aa003850b3b0023e039b2",name:"Goody",email:"",facebook:"",introduction:'學歷:英國Oxford Brookes University 出版系碩士
\n專長:活動企劃/專輯企劃
\n',experience:"重要經歷:
\n2023 《TJAITEKU TUA QADAW 太陽底下》排灣電音專輯 製作人
\n2022 《Ari摩耳朵》Podcast節目 製作/主持
\n2022 《舊有感覺音樂祭》《城市獵人的Masalut》策展/執行
\n2021 《逆時針三分鐘》探戈專輯 企劃 (獲第32屆傳藝金曲獎最佳跨界音樂專輯)
\n2019 《石版屋下的葬禮》排灣音樂劇 執行製作
\n2017 《台北世大運FISU GALA》國際晚宴 企劃/執行
\n",photo:"657a9ffc21bfcd0007de4dea",createdAt:1702535171,updatedAt:1704283024,__v:0,englishOpen:!1}],keywords:["原住民","文化","音樂"],onShelf:!0,podcast:!1,app:!1,open:!0,overview:!0,transcriptOpen:!1,subtitleOpen:!1,_id:"657a9f08850b3b0023e03998",radio:"5a83f303b244f301c16ecbed",name:"原來這樣聽",facebook:"",link:"",podcastLink:"",introduction:"
「原來這樣聽」節目以『打破刻板印象』的訴求,作為節目中選曲與對話內容的主軸。用大眾熟悉的,各式針對原住民族的既定印象作為每一集的主題。刻板印象除了容易帶給大眾錯誤的理解以及去脈絡、非全面的印象,也限縮了對於原住民文化的體驗機會,無助於近年來教育對於多元社會的彼此尊重下的苦功。故我們期待以廣播節目的形式,用對話和音樂等較為輕鬆、易於接受的內容,拓展聽眾對原民文化的了解與視野。
\n",time:{hideStartEnd:!1,text:"每週六",start:"22:05",end:"23:00"},cover:"657a9efb21bfcd0007de4d9f",createdAt:1702534920,updatedAt:1704413727,__v:0},start:1728137100,end:1728140400},{_id:"5",name:"高雄分臺",english:"Kaohsiung Substation",live:"https://cast.ner.gov.tw/5",type:"program",program:{owner:["5a8e634e565344000691fb5f","5a83dd86bd7e5000055426f9","5df89dbc93676000062219ad"],channels:["5"],categories:["5a8d13887e67c800059f325d"],hosts:[{onShelf:!0,_id:"5df8a4561c66c50006ab8315",name:"林娟",email:"linchun931@gmail.com",facebook:"",introduction:"用心投入,熱愛廣播的資深廣播人
\n",experience:"經歷:
\n\n內政部警政署警察廣播電台節目主持人、假日主持人
\n\n喜多納企業節目部主管、主持人
\n\n歷年入圍、得獎出版紀錄:
\n\n2000年 【科技早叮噹】新聞局社會建設獎
\n\n2001年 【十八姑娘一朵花】入圍廣播金鐘獎 流行音樂節目及主持人
\n\n2002年【行車請戴安全帽 啄木鳥篇】【一個都不少 行車前安全檢查】新聞局交通安全第一屆創意廣告優選
\n\n2002年【海口人】入圍廣播金鐘獎 社區節目及主持人
\n\n2004年【聽 美麗在唱歌】入圍廣播金鐘獎 流行音樂節目及主持人
\n\n2005年【距離讓我們心更靠近】北市新聞公會 社會光明面新聞報導獎
\n\n2005年【距離讓我們心更靠近】入圍廣播金鐘獎社區服務獎
\n\n2007年清涼音出版社出版【美麗心情】系列第1、2集
\n\n2008年~2013 年 民營電台
\n\n2014年【台灣思相枝】入圍廣播金鐘獎 節目企劃編撰
\n\n2016年【台灣的聲音】入圍廣播金鐘獎 單元節目
\n\n2017年~2019年 民營電台
\n",photo:"621d7c327e78b9000978d39a",createdAt:1576576086,updatedAt:1646099508,__v:0,englishName:"Juan Lin",englishOpen:!1}],keywords:["不流行","流行歌曲","臺灣台語"],onShelf:!0,podcast:!1,app:!1,open:!0,overview:!0,transcriptOpen:!1,subtitleOpen:!1,_id:"61c16ce4a5b2330007ccbb68",radio:"5a83f303b244f301c16ecbec",name:"不流行的流行歌",facebook:"",link:"",podcastLink:"",time:{hideStartEnd:!1,text:"每週六",start:"22:00",end:"23:00"},introduction:'每週六22:00-23:00播出
\n\n流行歌曲是我們生活周遭最明顯的流行文化之一。它創造了多少的就業人口與資金市場,它也創造了偶像崇拜與流行。在一個偉人皆被顛覆與式微的時代,流行文化的偶像崇拜,讓青少年多餘的體力、精神,有了抒發與放置的管道。經過這幾個十年再回來看當時流行歌曲,你會發現社會變遷真是件有趣極了的議題,怎麼幾個十年前被認為是前衛或傷風敗俗的東西或觀念,一夕間,大家像是突然間就見怪不怪而接受了呢?我認為是整個社會在此一新思潮的衝撞過程中,慢慢接受而學會改變。
\n\n\n\n
聽歌的同時,我們也見證了流行歌曲的發展。流行歌曲是我們的音樂教育,它們陪伴我們度過青澀的童年往事及青春歲月,它們也見證著我們這一世愛的成長與凋零。
\n\n\n\n
【不流行的流行歌】從人生的感味中,選定不同時期創作者用歌詞或音樂說臺灣改變中的不同,觀察臺灣人的心、人生觀變化。拆解創作者歌曲的歌詞唱出每個時代都有不同的感受與感動,我們就用歌曲穿越時間空間,帶您用聽的,聽出時代感!
\n',cover:"61f111897e78b900096b63a6",createdAt:1640066276,updatedAt:1721268290,__v:0,englishIntroduction:"Pop song is one of the most obvious pop cultures in our daily lives. It has created not only plenty of jobs and capital markets but also idolatry and popularity. In an era of subversion and decline of greats, idolatry in pop culture becomes a way for teenagers to release their excessive energy. After several decades, looking back on the pop songs of the time, you will find that social change is indeed a very interesting topic—how come all of a sudden everyone seems accustom to the things or concepts that were considered avant-garde or immoral a few decades ago? Is it because moral values are declining? Or due to low moral sense? No, I think the reason is that, during the collision of this new trend of thought, the entire society slowly accepts it and learns to change. While listening to songs, we have also witnessed the development of pop songs. Pop songs are our music education—they accompany us on our young childhood and youth, and also witness the growth and fading of our love in this life.
\n",englishName:"unpopular pop song",englishOpen:!0,englishTime:"Sunday 17:05-18:00"},start:1728136800,end:1728140400},{_id:"6",name:"臺東分臺FM-1",english:"Taitung Substation FM-1",live:"https://cast.ner.gov.tw/6",type:"program",program:{owner:["5a7713e4efcc4e00056e5eae","5a82a1ab42dc0200050d03ed","5a815bc0ee33c600058c2174","5a77137aefcc4e00056e5ea4","5a80ec34df964c00064e8c63"],channels:["1","4","5","8","9","6","7","2","3"],categories:["5a8d13887e67c800059f325d"],hosts:[{onShelf:!0,_id:"5a83f331fa594401cf74b9ac",name:"袁永興",email:"jesliao@gmail.com",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"袁永興,曾擔任文化部影視及流行音樂產業局「流行音樂專案辦公室」計畫主持人、臺東縣議會議政顧問、吉力文化有限公司總經理。2013年開始為推廣「流行音樂教育」,致力於推動大學成立流行音樂相關系所的成立,先後舉辦《音樂新思維》、《音樂講唱會》等活動,並自2013年起在國立政治大學教授「流行音樂與數位創意運用」,在中山大學教授「流行音樂產業發展」等課程。
",experience:"自1999年起擔任過八次《金曲獎》評審(1999、2003、2004、2010、2011、2012、2013、2014年)、2010年第一屆與2012年第三屆《金音獎》評審、數屆《音樂人交流協會年度十大專輯單曲》評審、新聞局主辦《母語原創大賽》評審與主持人、2001~2005及2007~2008年共七屆《貢寮海洋音樂祭》主持人、2011年《貢寮海洋音樂大賽》評審。先後為TVBS週刊、自由時報、明日報、PLAY、搖滾客、中國時報、HERE雜誌撰寫專欄與樂評,主持歌手記者會與國外藝人專訪,如:Suzzane Vega、Air Supply、George Winston、Enya、Jon Bon Jovi、王力宏、劉若英…等數百場以上。
\n\n自1999至2007年擔任廣電基金講師;2008至2013年於世新大學擔任協同教育講師,教授非線性聲音剪輯軟體和音樂與創意及廣播節目製作企劃等相關課程。
\n\n曾為歌手費玉清、季忠平創作歌詞;1999~2003年為飛碟電台《飛碟早餐》擔任週末《早餐音樂會》主講人;2012年11月起不定期擔任台視音樂節目《樂光寶盒》來賓。
\n\n曾創下連續三年(2009、2010、2011)《廣播金鐘獎》都入圍五項以上、共入圍十七項的紀錄。
\n\n先後總共入圍過廿一次廣播金鐘獎,最近一次得獎為2013年奪下《流行音樂節目主持人獎》。
\n",createdAt:1518596913,updatedAt:1647857495,__v:0,photo:"62384f5276f91a0007aa38b0",englishName:"YUAN,YONG-XING",englishOpen:!1}],keywords:["流行音樂","歌手"],onShelf:!0,podcast:!1,app:!0,open:!0,overview:!0,transcriptOpen:!1,subtitleOpen:!1,_id:"5a83f4e9c5fd8a01e2df0070",name:"拍律遊樂園",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"節目內容包括以下個單元
\n\n◎行動會客室:訪問流行音樂產業中各個環節的人員,如歌手談其作品的創作靈感或音樂理念、唱片製作人談一張專輯從無到有的歷程、行銷宣傳人員談音樂市場的流行趨勢、演唱會製作人員談舞台視覺效果等等,主要在藉由深度但氣氛輕鬆的訪談,讓聽眾對流行音樂這門藝術不再只是看熱鬧,更能看出其中的門道。
\n\n◎音樂放大鏡:流行音樂的發展史上有許多重要性的時刻或是重大的事件、潮流與現象,深深影響了現在流行音樂的面貌,要對現在的流行音樂有更深入的了解,就不能不對這些發展的軌跡有所理解。每週將針對一個主題,製作小組將蒐集詳細的背景資料,由主持人與音樂特派員作系統性的介紹與分析。
\n\n◎新音樂快遞:每週新發行的歌曲有如此多首,許多聽眾會覺得想聽卻又不知從何「下手」,或是聽到許多水準參差不齊的作品之後已經覺得疲乏。節目主持人以其專業的眼光,每週從「歌海」之中挑選出好聽的或是有特色的作品,推薦給聽眾,成為快速掌握流行新歌趨勢的指標。
\n\n◎你該知道的流行音樂:流行音樂這門藝術中其實也潛藏著許多大眾該知道卻不一定了解的小常識,如現在最流行的「音樂串流服務」有哪些?各有何特色?版權觀念越來越普及,但什麼是公播權?日常生活中怎麼樣的行為會侵權?音樂節越來越多,全世界著名的音樂節有哪些?從世界知名的「葛萊美獎」到華語流行樂指標的「金曲獎」,其評審方式和標準有何異同?以對話的方式輕鬆講解這些問題,讓聽眾一聽完立刻就可以掌握到重點。
\n\n◎音樂現場情報站:唱片銷售情形雖然不若以往興盛,現場演出卻一路成長成為現在的王道!台灣的演唱會市場及Live House的演出越來越趨多樣化與普遍化,聽眾或許想參與卻覺得眼花撩亂不知從何開始;每週幫聽眾過濾選出近期值得特別關注的演唱會或Live House演出訊息,讓聽眾可以實際去接觸,體會到流行音樂現場的魅力。
\n",createdAt:1518597353,updatedAt:1644807216,__v:0,cover:"6209c42c7e78b9000973f6d2",link:"",radio:"5a83f303b244f301c16ecbeb",time:{hideStartEnd:!1,text:"每周五、六、日",start:"22:00",end:"23:00"},podcastLink:"",englishIntroduction:"◎Mobile Reception Room: Interviews with people from various sectors of the pop music industry, such as singers on the inspiration or music idea of their work, record producers on the journey of an album from scratch, marketers on the trends in the music market, concert production staff members on the visual effects of the stage, etc.
\n\nThe main objective is to give the audience an insight into the art of pop music through in-depth interviews in a relaxed atmosphere, it is a great way to get the audience to appreciate the art of pop music beyond the buzz and to see the success tricks.
\n\n\n\n
◎Music Magnifying Glass: There are many important moments or major events, trends and phenomena in the developmental history of pop music that have deeply influenced the face of pop music today. To have a deeper understanding of current pop music, it is necessary to have an understanding of these trajectories. Each week, the production team will collect detailed background information on a theme, and the host and music special correspondents will give a systematic presentation and analysis.
\n\n\n\n
◎New Music Express: With so many issued new releases every week, many listeners feel the urge to listen but don't know where "to start", or get bored after listening to so many works of varying standards. Each week, the program hosts use their professional "ears" to pick out the best and most distinctive pieces from the "ocean of songs" and recommend them to listeners, allow listeners to quickly grasp the trends and indicators of popular new songs.
\n\n\n\n
◎What you should know about pop music: The art of pop music has a lot of little knowledge that the public should know but not necessarily understand, such as what are the most popular "music streaming services" nowadays? What are the characteristics of each? The concept of copyright is becoming more and more popular, but what is public broadcasting right? What kind of behavior in daily life will infringe on copyright? There are more and more music festivals, what are the famous music festivals around the world? From the world-renowned Grammy Awards to the Golden Melody Awards, the benchmark for Mandopop music, what are the similarities and differences in their judging methods and criteria? These questions are easily explained in a conversational style so that listeners can grasp the key points immediately after listening.
\n\n\n\n
◎Live music information station: Although record sales are not as booming as before, live performances are growing to be the name of the game! The concert market and Live House scene in Taiwan are becoming more and more diverse and widespread, and listeners may want to attend but feel confused by the number of concerts and live house shows they can attend and do not know where to start; we help listeners filter through the recent concert or Live House performances that deserve special attention every week so that they can get in touch with them and experience the charm of the pop music scene.
\n",englishName:"Musical Playground",englishOpen:!0,englishTime:"Friday to Sunday"},start:1728136800,end:1728140400},{_id:"7",name:"臺東分臺FM-2",english:"Taitung Substation FM-2",live:"https://cast.ner.gov.tw/7",type:"program",program:{owner:["5a7713e4efcc4e00056e5eae","5a80ec34df964c00064e8c63"],channels:["1","2","4","5","8","9","6","7","3"],categories:["5a8d136e7e67c800059f3255"],hosts:[{onShelf:!0,_id:"5a83f331fa594401cf74b9e5",name:"空中進修學院",email:"",facebook:"",introduction:"教育電臺「空中進修學院」節目製播單位。
",experience:"",createdAt:1518596913,updatedAt:1662027475,__v:0,photo:"62383c6a76f91a0007aa320b",englishExperience:"",englishIntroduction:"",englishName:"Air Training Institute",englishOpen:!1}],keywords:[],onShelf:!0,podcast:!1,app:!1,open:!0,overview:!1,transcriptOpen:!1,subtitleOpen:!1,_id:"5a83f4eac5fd8a01e2df00d3",name:"空中進修學院廣播教學節目",facebook:"",introduction:"國立空中進修學院廣播教學課程。
\n\n播出時間:每周一~周日05:00~06:00調頻網及調幅網播出。
\n",createdAt:1518597354,updatedAt:1644810335,__v:0,cover:"6209d05d7e78b9000973fa9f",link:"",radio:"5a83f303b244f301c16ecbeb",time:{hideStartEnd:!1,text:"每周一~周日",start:"05:00",end:"06:00"},podcastLink:"",englishName:"Continuing Education On-Air",englishOpen:!1,englishTime:"Mondat to Sunday"},start:1728136800,end:1728140400},{_id:"8",name:"花蓮分臺FM-1",english:"Hualien Substation FM-1",live:"https://cast.ner.gov.tw/8",type:"program",program:{owner:["5a7713e4efcc4e00056e5eae","5a82a1ab42dc0200050d03ed","5a815bc0ee33c600058c2174","5a77137aefcc4e00056e5ea4","5a80ec34df964c00064e8c63"],channels:["1","4","5","8","9","6","7","2","3"],categories:["5a8d13887e67c800059f325d"],hosts:[{onShelf:!0,_id:"5a83f331fa594401cf74b9ac",name:"袁永興",email:"jesliao@gmail.com",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"袁永興,曾擔任文化部影視及流行音樂產業局「流行音樂專案辦公室」計畫主持人、臺東縣議會議政顧問、吉力文化有限公司總經理。2013年開始為推廣「流行音樂教育」,致力於推動大學成立流行音樂相關系所的成立,先後舉辦《音樂新思維》、《音樂講唱會》等活動,並自2013年起在國立政治大學教授「流行音樂與數位創意運用」,在中山大學教授「流行音樂產業發展」等課程。
",experience:"自1999年起擔任過八次《金曲獎》評審(1999、2003、2004、2010、2011、2012、2013、2014年)、2010年第一屆與2012年第三屆《金音獎》評審、數屆《音樂人交流協會年度十大專輯單曲》評審、新聞局主辦《母語原創大賽》評審與主持人、2001~2005及2007~2008年共七屆《貢寮海洋音樂祭》主持人、2011年《貢寮海洋音樂大賽》評審。先後為TVBS週刊、自由時報、明日報、PLAY、搖滾客、中國時報、HERE雜誌撰寫專欄與樂評,主持歌手記者會與國外藝人專訪,如:Suzzane Vega、Air Supply、George Winston、Enya、Jon Bon Jovi、王力宏、劉若英…等數百場以上。
\n\n自1999至2007年擔任廣電基金講師;2008至2013年於世新大學擔任協同教育講師,教授非線性聲音剪輯軟體和音樂與創意及廣播節目製作企劃等相關課程。
\n\n曾為歌手費玉清、季忠平創作歌詞;1999~2003年為飛碟電台《飛碟早餐》擔任週末《早餐音樂會》主講人;2012年11月起不定期擔任台視音樂節目《樂光寶盒》來賓。
\n\n曾創下連續三年(2009、2010、2011)《廣播金鐘獎》都入圍五項以上、共入圍十七項的紀錄。
\n\n先後總共入圍過廿一次廣播金鐘獎,最近一次得獎為2013年奪下《流行音樂節目主持人獎》。
\n",createdAt:1518596913,updatedAt:1647857495,__v:0,photo:"62384f5276f91a0007aa38b0",englishName:"YUAN,YONG-XING",englishOpen:!1}],keywords:["流行音樂","歌手"],onShelf:!0,podcast:!1,app:!0,open:!0,overview:!0,transcriptOpen:!1,subtitleOpen:!1,_id:"5a83f4e9c5fd8a01e2df0070",name:"拍律遊樂園",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"節目內容包括以下個單元
\n\n◎行動會客室:訪問流行音樂產業中各個環節的人員,如歌手談其作品的創作靈感或音樂理念、唱片製作人談一張專輯從無到有的歷程、行銷宣傳人員談音樂市場的流行趨勢、演唱會製作人員談舞台視覺效果等等,主要在藉由深度但氣氛輕鬆的訪談,讓聽眾對流行音樂這門藝術不再只是看熱鬧,更能看出其中的門道。
\n\n◎音樂放大鏡:流行音樂的發展史上有許多重要性的時刻或是重大的事件、潮流與現象,深深影響了現在流行音樂的面貌,要對現在的流行音樂有更深入的了解,就不能不對這些發展的軌跡有所理解。每週將針對一個主題,製作小組將蒐集詳細的背景資料,由主持人與音樂特派員作系統性的介紹與分析。
\n\n◎新音樂快遞:每週新發行的歌曲有如此多首,許多聽眾會覺得想聽卻又不知從何「下手」,或是聽到許多水準參差不齊的作品之後已經覺得疲乏。節目主持人以其專業的眼光,每週從「歌海」之中挑選出好聽的或是有特色的作品,推薦給聽眾,成為快速掌握流行新歌趨勢的指標。
\n\n◎你該知道的流行音樂:流行音樂這門藝術中其實也潛藏著許多大眾該知道卻不一定了解的小常識,如現在最流行的「音樂串流服務」有哪些?各有何特色?版權觀念越來越普及,但什麼是公播權?日常生活中怎麼樣的行為會侵權?音樂節越來越多,全世界著名的音樂節有哪些?從世界知名的「葛萊美獎」到華語流行樂指標的「金曲獎」,其評審方式和標準有何異同?以對話的方式輕鬆講解這些問題,讓聽眾一聽完立刻就可以掌握到重點。
\n\n◎音樂現場情報站:唱片銷售情形雖然不若以往興盛,現場演出卻一路成長成為現在的王道!台灣的演唱會市場及Live House的演出越來越趨多樣化與普遍化,聽眾或許想參與卻覺得眼花撩亂不知從何開始;每週幫聽眾過濾選出近期值得特別關注的演唱會或Live House演出訊息,讓聽眾可以實際去接觸,體會到流行音樂現場的魅力。
\n",createdAt:1518597353,updatedAt:1644807216,__v:0,cover:"6209c42c7e78b9000973f6d2",link:"",radio:"5a83f303b244f301c16ecbeb",time:{hideStartEnd:!1,text:"每周五、六、日",start:"22:00",end:"23:00"},podcastLink:"",englishIntroduction:"◎Mobile Reception Room: Interviews with people from various sectors of the pop music industry, such as singers on the inspiration or music idea of their work, record producers on the journey of an album from scratch, marketers on the trends in the music market, concert production staff members on the visual effects of the stage, etc.
\n\nThe main objective is to give the audience an insight into the art of pop music through in-depth interviews in a relaxed atmosphere, it is a great way to get the audience to appreciate the art of pop music beyond the buzz and to see the success tricks.
\n\n\n\n
◎Music Magnifying Glass: There are many important moments or major events, trends and phenomena in the developmental history of pop music that have deeply influenced the face of pop music today. To have a deeper understanding of current pop music, it is necessary to have an understanding of these trajectories. Each week, the production team will collect detailed background information on a theme, and the host and music special correspondents will give a systematic presentation and analysis.
\n\n\n\n
◎New Music Express: With so many issued new releases every week, many listeners feel the urge to listen but don't know where "to start", or get bored after listening to so many works of varying standards. Each week, the program hosts use their professional "ears" to pick out the best and most distinctive pieces from the "ocean of songs" and recommend them to listeners, allow listeners to quickly grasp the trends and indicators of popular new songs.
\n\n\n\n
◎What you should know about pop music: The art of pop music has a lot of little knowledge that the public should know but not necessarily understand, such as what are the most popular "music streaming services" nowadays? What are the characteristics of each? The concept of copyright is becoming more and more popular, but what is public broadcasting right? What kind of behavior in daily life will infringe on copyright? There are more and more music festivals, what are the famous music festivals around the world? From the world-renowned Grammy Awards to the Golden Melody Awards, the benchmark for Mandopop music, what are the similarities and differences in their judging methods and criteria? These questions are easily explained in a conversational style so that listeners can grasp the key points immediately after listening.
\n\n\n\n
◎Live music information station: Although record sales are not as booming as before, live performances are growing to be the name of the game! The concert market and Live House scene in Taiwan are becoming more and more diverse and widespread, and listeners may want to attend but feel confused by the number of concerts and live house shows they can attend and do not know where to start; we help listeners filter through the recent concert or Live House performances that deserve special attention every week so that they can get in touch with them and experience the charm of the pop music scene.
\n",englishName:"Musical Playground",englishOpen:!0,englishTime:"Friday to Sunday"},start:1728136800,end:1728140400},{_id:"9",name:"花蓮分臺FM-2",english:"Hualien Substation FM-2",live:"https://cast.ner.gov.tw/9",type:"program",program:{owner:["5a7713e4efcc4e00056e5eae","5a82a1ab42dc0200050d03ed","5a815bc0ee33c600058c2174","5a77137aefcc4e00056e5ea4","5a80ec34df964c00064e8c63"],channels:["1","4","5","8","9","6","7","2","3"],categories:["5a8d13887e67c800059f325d"],hosts:[{onShelf:!0,_id:"5a83f331fa594401cf74b9ac",name:"袁永興",email:"jesliao@gmail.com",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"袁永興,曾擔任文化部影視及流行音樂產業局「流行音樂專案辦公室」計畫主持人、臺東縣議會議政顧問、吉力文化有限公司總經理。2013年開始為推廣「流行音樂教育」,致力於推動大學成立流行音樂相關系所的成立,先後舉辦《音樂新思維》、《音樂講唱會》等活動,並自2013年起在國立政治大學教授「流行音樂與數位創意運用」,在中山大學教授「流行音樂產業發展」等課程。
",experience:"自1999年起擔任過八次《金曲獎》評審(1999、2003、2004、2010、2011、2012、2013、2014年)、2010年第一屆與2012年第三屆《金音獎》評審、數屆《音樂人交流協會年度十大專輯單曲》評審、新聞局主辦《母語原創大賽》評審與主持人、2001~2005及2007~2008年共七屆《貢寮海洋音樂祭》主持人、2011年《貢寮海洋音樂大賽》評審。先後為TVBS週刊、自由時報、明日報、PLAY、搖滾客、中國時報、HERE雜誌撰寫專欄與樂評,主持歌手記者會與國外藝人專訪,如:Suzzane Vega、Air Supply、George Winston、Enya、Jon Bon Jovi、王力宏、劉若英…等數百場以上。
\n\n自1999至2007年擔任廣電基金講師;2008至2013年於世新大學擔任協同教育講師,教授非線性聲音剪輯軟體和音樂與創意及廣播節目製作企劃等相關課程。
\n\n曾為歌手費玉清、季忠平創作歌詞;1999~2003年為飛碟電台《飛碟早餐》擔任週末《早餐音樂會》主講人;2012年11月起不定期擔任台視音樂節目《樂光寶盒》來賓。
\n\n曾創下連續三年(2009、2010、2011)《廣播金鐘獎》都入圍五項以上、共入圍十七項的紀錄。
\n\n先後總共入圍過廿一次廣播金鐘獎,最近一次得獎為2013年奪下《流行音樂節目主持人獎》。
\n",createdAt:1518596913,updatedAt:1647857495,__v:0,photo:"62384f5276f91a0007aa38b0",englishName:"YUAN,YONG-XING",englishOpen:!1}],keywords:["流行音樂","歌手"],onShelf:!0,podcast:!1,app:!0,open:!0,overview:!0,transcriptOpen:!1,subtitleOpen:!1,_id:"5a83f4e9c5fd8a01e2df0070",name:"拍律遊樂園",facebook:"https://www.facebook.com/MusicmapTaipei?fref=nf",introduction:"節目內容包括以下個單元
\n\n◎行動會客室:訪問流行音樂產業中各個環節的人員,如歌手談其作品的創作靈感或音樂理念、唱片製作人談一張專輯從無到有的歷程、行銷宣傳人員談音樂市場的流行趨勢、演唱會製作人員談舞台視覺效果等等,主要在藉由深度但氣氛輕鬆的訪談,讓聽眾對流行音樂這門藝術不再只是看熱鬧,更能看出其中的門道。
\n\n◎音樂放大鏡:流行音樂的發展史上有許多重要性的時刻或是重大的事件、潮流與現象,深深影響了現在流行音樂的面貌,要對現在的流行音樂有更深入的了解,就不能不對這些發展的軌跡有所理解。每週將針對一個主題,製作小組將蒐集詳細的背景資料,由主持人與音樂特派員作系統性的介紹與分析。
\n\n◎新音樂快遞:每週新發行的歌曲有如此多首,許多聽眾會覺得想聽卻又不知從何「下手」,或是聽到許多水準參差不齊的作品之後已經覺得疲乏。節目主持人以其專業的眼光,每週從「歌海」之中挑選出好聽的或是有特色的作品,推薦給聽眾,成為快速掌握流行新歌趨勢的指標。
\n\n◎你該知道的流行音樂:流行音樂這門藝術中其實也潛藏著許多大眾該知道卻不一定了解的小常識,如現在最流行的「音樂串流服務」有哪些?各有何特色?版權觀念越來越普及,但什麼是公播權?日常生活中怎麼樣的行為會侵權?音樂節越來越多,全世界著名的音樂節有哪些?從世界知名的「葛萊美獎」到華語流行樂指標的「金曲獎」,其評審方式和標準有何異同?以對話的方式輕鬆講解這些問題,讓聽眾一聽完立刻就可以掌握到重點。
\n\n◎音樂現場情報站:唱片銷售情形雖然不若以往興盛,現場演出卻一路成長成為現在的王道!台灣的演唱會市場及Live House的演出越來越趨多樣化與普遍化,聽眾或許想參與卻覺得眼花撩亂不知從何開始;每週幫聽眾過濾選出近期值得特別關注的演唱會或Live House演出訊息,讓聽眾可以實際去接觸,體會到流行音樂現場的魅力。
\n",createdAt:1518597353,updatedAt:1644807216,__v:0,cover:"6209c42c7e78b9000973f6d2",link:"",radio:"5a83f303b244f301c16ecbeb",time:{hideStartEnd:!1,text:"每周五、六、日",start:"22:00",end:"23:00"},podcastLink:"",englishIntroduction:"◎Mobile Reception Room: Interviews with people from various sectors of the pop music industry, such as singers on the inspiration or music idea of their work, record producers on the journey of an album from scratch, marketers on the trends in the music market, concert production staff members on the visual effects of the stage, etc.
\n\nThe main objective is to give the audience an insight into the art of pop music through in-depth interviews in a relaxed atmosphere, it is a great way to get the audience to appreciate the art of pop music beyond the buzz and to see the success tricks.
\n\n\n\n
◎Music Magnifying Glass: There are many important moments or major events, trends and phenomena in the developmental history of pop music that have deeply influenced the face of pop music today. To have a deeper understanding of current pop music, it is necessary to have an understanding of these trajectories. Each week, the production team will collect detailed background information on a theme, and the host and music special correspondents will give a systematic presentation and analysis.
\n\n\n\n
◎New Music Express: With so many issued new releases every week, many listeners feel the urge to listen but don't know where "to start", or get bored after listening to so many works of varying standards. Each week, the program hosts use their professional "ears" to pick out the best and most distinctive pieces from the "ocean of songs" and recommend them to listeners, allow listeners to quickly grasp the trends and indicators of popular new songs.
\n\n\n\n
◎What you should know about pop music: The art of pop music has a lot of little knowledge that the public should know but not necessarily understand, such as what are the most popular "music streaming services" nowadays? What are the characteristics of each? The concept of copyright is becoming more and more popular, but what is public broadcasting right? What kind of behavior in daily life will infringe on copyright? There are more and more music festivals, what are the famous music festivals around the world? From the world-renowned Grammy Awards to the Golden Melody Awards, the benchmark for Mandopop music, what are the similarities and differences in their judging methods and criteria? These questions are easily explained in a conversational style so that listeners can grasp the key points immediately after listening.
\n\n\n\n
◎Live music information station: Although record sales are not as booming as before, live performances are growing to be the name of the game! The concert market and Live House scene in Taiwan are becoming more and more diverse and widespread, and listeners may want to attend but feel confused by the number of concerts and live house shows they can attend and do not know where to start; we help listeners filter through the recent concert or Live House performances that deserve special attention every week so that they can get in touch with them and experience the charm of the pop music scene.
\n",englishName:"Musical Playground",englishOpen:!0,englishTime:"Friday to 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