\n
\n本節目希望透過走讀臺灣與全球城市與(非城市)地方的走讀,帶領聽眾觀看「看不見的城市」的一面,開啟視覺藝術欣賞更豐富多彩的層次,同時服膺新課綱中有關中小學藝術領域規劃提升生活美學、音樂、視覺藝術與表演藝術宗旨的理念。
The program hopes to guide listeners to explore the unseen faces of Taiwan and other cities around the world, presenting a richer layer of visual art appreciation. At the same time, it responds to the philosophy of the new curriculum on improving the aspects of daily life aesthetics, music, visual art and performance art required for elementary, junior and senior high school education.
\n",transcriptOpen:!1,subtitleOpen:!1}},programList:{status:"normal",itemStatus:"normal",getItem:{_id:"62a4ad2cfe4acd0008a14e8c",editor:"葉思吟",program:"5fd9785cfbf81600081fa8d8",title:"雙語 / <非遊記>之我們不是來玩的 : 協同策展人張正專訪/布袋戲系列4-3",guests:[{name:"張正",unit:"燦爛時光書店負責人",title:"N",email:"",notified:!1},{name:"羅宜柔Sandie",unit:"文藻外語大學英國語文系",title:"N",email:"",notified:!1}],video:"",introduction:'1989年,台灣引進台灣第一批外籍勞工,時至2022年,人數已達70萬人。
\n\n無論他們是做甚麼,來自何方,我們習慣稱呼他們為外籍勞工,這群被廣泛稱為「補充性勞力」的外來朋友,我們對他們的了解其實很少。
\n\n當代藝術館破天荒舉辦以如此議題的展出,除了主要策展人鍾適芳研究外勞議題多年,協同策展人張正與廖雲章,也是台灣第一份辦給異鄉人看的母語刊物《四方報》創辦人,長期以來關注相關議題與協同發聲,本集節目將邀請張正聊聊這次所負責的1F單元:〈我們可不是來玩的〉展覽發想與規劃,以及這些年來隨著《四方報》開展的移工文化與族群互動等發展。
\n\n<非遊記>展覽將在當代藝術館展出至2022.07.17,同時提供線上導覽,相關訊息可見VR導覽:https://my.matterport.com/show/?m=uVogUfwFxzV......
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****** 口袋英語 Pocket English ******
\n\n來賓:文藻外語大學英國語言系 Sandie 羅宜柔老師
\n\n主題 : 布袋戲系列4-3 : Opening poems and theme songs
\n\n(內容部分摘要)
\n\nToday we are going to talk something poetic. We will talk about the opening poetry and theme songs in Taiwanese puppet show.
\n\nThe Taiwanese puppet show is related to Chinese opera, so, it is not a big surprise that we see similarities between them and one of the similarities is the opening poems .
\n\nOriginally in the drama in Yuan Dynasty, also called , it was a routine for a new character to reveal his background by a poem. And this is the opening poem. It is usually in five words or seven words in one line. However, as time goes by, the poem is not really in five or seven words and the puppet can recite his poem when he shows the first time, when there is something important happening or when he is about to die. So not only do we have 開場詩 we also have 出場詩 and 退場詩.
\n\n................................................................
\n\nTaiwanese puppet shows used to be very popular. It is not just because of the performance and the voice action. The theme song also plays a crucial role.
\n\nAs indicated in last episode, thanks to the Japanese occupation period of time, Taiwanese puppet shows have put Japanese cultures especially Japanese songs in their performance. In 1970s, the prime time of Taiwanese puppet show, 黃俊雄 and his team have made a lot of famous songs. And many of them are adapted from Japanese songs. Here are some examples. ................................
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\n\n主持人:葉思吟 Arielle
\n\nemail : leafkateyeh@gmail.com
\n\nFB : 葉子的漫遊者世界
\n\n電台首播時間 : 每周六早晨 8~9點,教育電台播出♫頻道:高屏FM101.7、嘉南FM107.7、澎湖FM99.1、恆春FM99.3
\n\n(#節目連結保留60天,歡迎連結收聽&分享)
\n\n網路收聽連結 : https://reurl.cc/pWNyvZ
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\n',date:1655481600,pictures:[{id:"62a4ad55ce1c6a00093768cd",cover:!0,description:"黑白格子的溫柔:當北車大廳碰上當代藝術館 \n導覽人:許容慈(#北車F24地板圖書館板主)\n活動地點|台北當代藝術館一樓106展間(#當代館R106地板圖書館)\n\n圖片提供 : 張正"},{id:"62a4add5ce1c6a00093768ef",cover:!1,description:"透過當代藝術展示,重現存在台灣多年的眾多移工的生命樣貌。\n圖片提供 : 張正"}],keywords:["非遊記","當代藝術館","移工","四方報","張正","我們不是來玩的","口袋英語","布袋戲","文藻外語大學","英國語文系","羅宜柔","開場詩","葉子的漫遊者世界","葉思吟"],exhibition:!0,film:!0,callin:!1,audio:{_id:"62ad239c6df36400083dba92",schedule:{type:"program",repeat:!1,_id:"6281e84c4d9ce50007951103",channel:"5",program:"5fd9785cfbf81600081fa8d8",start:1655510400,end:1655514e3},selected:"channel",audio:{_id:"62ad23d3ce1c6a000939953a",key:"e05f4e6dc17ed932981e13dfa61b66cb",duration:3599.984167,usage:"schedule-main",identifier:"6281e84c4d9ce50007951103",originalname:"6281e84c4d9ce50007951103-5-202206180800-5fd9785cfbf81600081fa8d8.mp4",createdAt:"2022/06/18 09:01:07",dir:"2022/06",size:58267970,mimetype:"video/mp4",name:"e05f4e6dc17ed932981e13dfa61b66cb.mp4"},channel:{_id:"62ad239bce1c6a0009399515",key:"e94b082accaff899442e385b15b9006a",duration:3596.032,usage:"schedule-channel",identifier:"6281e84c4d9ce50007951103",originalname:"6281e84c4d9ce50007951103-5-202206180800-5fd9785cfbf81600081fa8d8.mp3",createdAt:"2022/06/18 09:00:11",dir:"2022/06",size:57536512,mimetype:"audio/mpeg",name:"e94b082accaff899442e385b15b9006a.mp3"},program:{_id:"5fd9785cfbf81600081fa8d8",owner:["5a83dd86bd7e5000055426f9","5a83dca3bd7e5000055426e8","5dfc656493676000062335e9","5a8e634e565344000691fb5f"],radio:"5a83f303b244f301c16ecbec",name:"漫遊者的異想世界",channels:["5"],categories:["5a8d13807e67c800059f325b"],hosts:["5df8ab201c66c50006aba160"],time:{hideStartEnd:!1,text:"每週六",start:"08:00",end:"09:00"},facebook:"",introduction:"
「漫遊者」(Flâneur)一詞源自於文化評論家班雅明,他借用法國詩人波特萊爾對巴黎街景的耽溺詩作,詮釋出「漫遊者」鍾情於現代城市空間經驗、經由自身移動加以體驗感受的原型。
\n
\n本節目希望透過走讀臺灣與全球城市與(非城市)地方的走讀,帶領聽眾觀看「看不見的城市」的一面,開啟視覺藝術欣賞更豐富多彩的層次,同時服膺新課綱中有關中小學藝術領域規劃提升生活美學、音樂、視覺藝術與表演藝術宗旨的理念。
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