\n
\n本節目希望透過走讀臺灣與全球城市與(非城市)地方的走讀,帶領聽眾觀看「看不見的城市」的一面,開啟視覺藝術欣賞更豐富多彩的層次,同時服膺新課綱中有關中小學藝術領域規劃提升生活美學、音樂、視覺藝術與表演藝術宗旨的理念。
The program hopes to guide listeners to explore the unseen faces of Taiwan and other cities around the world, presenting a richer layer of visual art appreciation. At the same time, it responds to the philosophy of the new curriculum on improving the aspects of daily life aesthetics, music, visual art and performance art required for elementary, junior and senior high school education.
\n",transcriptOpen:!1,subtitleOpen:!1}},programList:{status:"normal",itemStatus:"normal",getItem:{_id:"62a4ad2cfe4acd0008a14e8c",editor:"葉思吟",program:"5fd9785cfbf81600081fa8d8",title:"雙語 / <非遊記>之我們不是來玩的 : 協同策展人張正專訪/布袋戲系列4-3",guests:[{name:"張正",unit:"燦爛時光書店負責人",title:"N",email:"",notified:!1},{name:"羅宜柔Sandie",unit:"文藻外語大學英國語文系",title:"N",email:"",notified:!1}],video:"",introduction:'1989年,台灣引進台灣第一批外籍勞工,時至2022年,人數已達70萬人。
\n\n無論他們是做甚麼,來自何方,我們習慣稱呼他們為外籍勞工,這群被廣泛稱為「補充性勞力」的外來朋友,我們對他們的了解其實很少。
\n\n當代藝術館破天荒舉辦以如此議題的展出,除了主要策展人鍾適芳研究外勞議題多年,協同策展人張正與廖雲章,也是台灣第一份辦給異鄉人看的母語刊物《四方報》創辦人,長期以來關注相關議題與協同發聲,本集節目將邀請張正聊聊這次所負責的1F單元:〈我們可不是來玩的〉展覽發想與規劃,以及這些年來隨著《四方報》開展的移工文化與族群互動等發展。
\n\n<非遊記>展覽將在當代藝術館展出至2022.07.17,同時提供線上導覽,相關訊息可見VR導覽:https://my.matterport.com/show/?m=uVogUfwFxzV......
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****** 口袋英語 Pocket English ******
\n\n來賓:文藻外語大學英國語言系 Sandie 羅宜柔老師
\n\n主題 : 布袋戲系列4-3 : Opening poems and theme songs
\n\n(內容部分摘要)
\n\nToday we are going to talk something poetic. We will talk about the opening poetry and theme songs in Taiwanese puppet show.
\n\nThe Taiwanese puppet show is related to Chinese opera, so, it is not a big surprise that we see similarities between them and one of the similarities is the opening poems .
\n\nOriginally in the drama in Yuan Dynasty, also called , it was a routine for a new character to reveal his background by a poem. And this is the opening poem. It is usually in five words or seven words in one line. However, as time goes by, the poem is not really in five or seven words and the puppet can recite his poem when he shows the first time, when there is something important happening or when he is about to die. So not only do we have 開場詩 we also have 出場詩 and 退場詩.
\n\n................................................................
\n\nTaiwanese puppet shows used to be very popular. It is not just because of the performance and the voice action. The theme song also plays a crucial role.
\n\nAs indicated in last episode, thanks to the Japanese occupation period of time, Taiwanese puppet shows have put Japanese cultures especially Japanese songs in their performance. In 1970s, the prime time of Taiwanese puppet show, 黃俊雄 and his team have made a lot of famous songs. And many of them are adapted from Japanese songs. Here are some examples. ................................
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\n\n主持人:葉思吟 Arielle
\n\nemail : leafkateyeh@gmail.com
\n\nFB : 葉子的漫遊者世界
\n\n電台首播時間 : 每周六早晨 8~9點,教育電台播出♫頻道:高屏FM101.7、嘉南FM107.7、澎湖FM99.1、恆春FM99.3
\n\n(#節目連結保留60天,歡迎連結收聽&分享)
\n\n網路收聽連結 : https://reurl.cc/pWNyvZ
\n\n\n\n
\n',date:1655481600,pictures:[{id:"62a4ad55ce1c6a00093768cd",cover:!0,description:"黑白格子的溫柔:當北車大廳碰上當代藝術館 \n導覽人:許容慈(#北車F24地板圖書館板主)\n活動地點|台北當代藝術館一樓106展間(#當代館R106地板圖書館)\n\n圖片提供 : 張正"},{id:"62a4add5ce1c6a00093768ef",cover:!1,description:"透過當代藝術展示,重現存在台灣多年的眾多移工的生命樣貌。\n圖片提供 : 張正"}],keywords:["非遊記","當代藝術館","移工","四方報","張正","我們不是來玩的","口袋英語","布袋戲","文藻外語大學","英國語文系","羅宜柔","開場詩","葉子的漫遊者世界","葉思吟"],exhibition:!0,film:!0,callin:!1,audio:{_id:"62ad239c6df36400083dba92",schedule:{type:"program",repeat:!1,_id:"6281e84c4d9ce50007951103",channel:"5",program:"5fd9785cfbf81600081fa8d8",start:1655510400,end:1655514e3},selected:"channel",audio:{_id:"62ad23d3ce1c6a000939953a",key:"e05f4e6dc17ed932981e13dfa61b66cb",duration:3599.984167,usage:"schedule-main",identifier:"6281e84c4d9ce50007951103",originalname:"6281e84c4d9ce50007951103-5-202206180800-5fd9785cfbf81600081fa8d8.mp4",createdAt:"2022/06/18 09:01:07",dir:"2022/06",size:58267970,mimetype:"video/mp4",name:"e05f4e6dc17ed932981e13dfa61b66cb.mp4"},channel:{_id:"62ad239bce1c6a0009399515",key:"e94b082accaff899442e385b15b9006a",duration:3596.032,usage:"schedule-channel",identifier:"6281e84c4d9ce50007951103",originalname:"6281e84c4d9ce50007951103-5-202206180800-5fd9785cfbf81600081fa8d8.mp3",createdAt:"2022/06/18 09:00:11",dir:"2022/06",size:57536512,mimetype:"audio/mpeg",name:"e94b082accaff899442e385b15b9006a.mp3"},program:{_id:"5fd9785cfbf81600081fa8d8",owner:["5a83dd86bd7e5000055426f9","5a83dca3bd7e5000055426e8","5dfc656493676000062335e9","5a8e634e565344000691fb5f"],radio:"5a83f303b244f301c16ecbec",name:"漫遊者的異想世界",channels:["5"],categories:["5a8d13807e67c800059f325b"],hosts:["5df8ab201c66c50006aba160"],time:{hideStartEnd:!1,text:"每週六",start:"08:00",end:"09:00"},facebook:"",introduction:"
「漫遊者」(Flâneur)一詞源自於文化評論家班雅明,他借用法國詩人波特萊爾對巴黎街景的耽溺詩作,詮釋出「漫遊者」鍾情於現代城市空間經驗、經由自身移動加以體驗感受的原型。
\n
\n本節目希望透過走讀臺灣與全球城市與(非城市)地方的走讀,帶領聽眾觀看「看不見的城市」的一面,開啟視覺藝術欣賞更豐富多彩的層次,同時服膺新課綱中有關中小學藝術領域規劃提升生活美學、音樂、視覺藝術與表演藝術宗旨的理念。
The program hopes to guide listeners to explore the unseen faces of Taiwan and other cities around the world, presenting a richer layer of visual art appreciation. At the same time, it responds to the philosophy of the new curriculum on improving the aspects of daily life aesthetics, music, visual art and performance art required for elementary, junior and senior high school education.
\n",transcriptOpen:!1,subtitleOpen:!1},onShelf:!0,complete:!0,createdAt:1655514012,updatedAt:1657449898,using:!0},onShelf:!0,createdAt:0,updatedAt:1733770607,stt:{transcriptId:"a04d2fd7-f95a-41b7-91e7-ba4748f07443",transcript:"學歷史可以幹嘛貝多芬資源性學經驗苦中作樂邀你一起穿越時空講智慧兒子起床啦我不想上學啦我今天想請教你知道上學是一種幸福嗎在古代可不是每個人都可以上了學可是我又不是古人那不管了下單你自己想賣辦法這樣的場景很熟悉吧說真的能夠上學在古代可是幸福呢因為古代上學是有錢人的專利聽完文史作家院校老師說明希望你也能夠轉個念上學甘願一點吧上學這件事情在古代就已經有了但不是人人都可以上學一般來說是貴族階級的人或者是相當有財力的人才有辦法上學的在先秦時代呢是八歲入小學古人的八歲實際上就是現在的大概六七歲所以他的入學年齡跟現代人入學的情況是差不多的那通常八歲到十五歲是小學的階段當然也有人一直讀到二十多歲的在古代也是有發生的小學學習的就是啟蒙教育已設置為主有些韻文類的書籍宋代以後小我覺得這個內容嘛就三字經百家姓千家詩千家文檔簡稱為叫做三百千千那開學期間各朝就不一樣的南北朝的時候呢是春夏務農東入學那其他的時代有春天入學的也有秋天入學的主要是因為知識不go 普及學校其實也不多的原因那古代的學校有官學跟私學兩種中央跟地方都有官辦的學校類似現在的公立學校每個縣跟府裡面的這個學校名稱是不同的失學就是私人辦的學校官辦學校因為有政府的支持老師工作就有保障通常都是辦得比較好但是失學也有辦得相當出色的私人辦學的第一位就是儒家代表人物孔子準備束脩也就是肉乾就可以入學不過有學者就把自行束脩以上這個行束脩當作是這個年齡不是指肉乾也就是說孔子收十五歲以上的學生入學而不是說他收肉乾來當學費這是學者的另外一種看法那除了小學外其實還有太學的設立中央跟地方都有太學成績好的太學生就有機會擔任官員那古代官學也稱為叫做國子監首長就稱為叫國子監祭酒失學者大多是私塾的教育稱為叫做書院不過官學裡面也有書院的這個名稱那在東漢的開國皇帝漢光武帝劉秀就曾經是一個太學生後來他的一些太學裡的好朋友就幫助他打敗群雄建立了東漢的政權來平定天下東漢末年的時候太學裡的老師跟學生生都反對朝廷宦官亂政後來遭到宦官打壓有了所謂的黨固執或但這也可以看得出來東漢太學生的反抗精神隋唐時代有了科舉制度以後政府官員的選舉是透過考試的方法來任用的所以私人興學呢就變得越來越普遍一直到清朝光緒二十六年正式廢除科舉制度改用新式制度之後才發展出各級學校政府工人的運用則是透過各類的公務人員考試來做任用的現在知識現在的孩子不喜歡上學大人跟升學壓力有關但比起爺爺奶奶被應該是幸福多了因為在民國五十六年以前上國中還要聯考為一直到民國五十七年九年國民義務教育開始初中聯考才成為歷史民國一百零八年鎮是進入十二年國民基本教育時代已十二年規劃學習各階段所需的核心素養能力強調的是自主學習其實如果你放下對學習的成見搞不好你會發現學習也是一件有趣的",transcriptState:2,summary:"邀你一起穿越時空講智慧兒子起床啦,類似現在的公立學校每個縣跟府裡面的這個學校名稱是不同的失學,其實還有太學的設立中央跟地方都有太學成績好的太學生就有機會擔任官員,",summaryState:2,keywords:["太學","校名","公立","兒子"],subtitle:!0},transcriptOpen:!1,subtitleOpen:!1,notifiedCurators:!1,disablePodcast:!1,list:[]}},programListFile:{status:"normal"},languageProgramCatalog:{status:"normal"},languageProgram:{status:"normal"},languageProgramList:{status:"normal"},member:{track:{data:[],count:0,fetching:!1,deletedId:""},playerTrack:{data:[],count:0,fetching:!1,deletedId:""}},news:{status:"normal"},newsCatalog:{status:"normal"},newsSource:{status:"normal"},bulletinBoardCatalog:{status:"normal"},bulletinBoard:{status:"normal"},govInfoCatalog:{status:"normal"},retirementCatalog:{status:"normal"},qaCatalog:{status:"normal"},linkCatalog:{status:"normal"},link:{status:"normal"},site:{status:"normal"},radio:{status:"normal"},introduction:{status:"normal"},slogan:{status:"normal"},award:{status:"normal"},bigSummary:{status:"normal"},otherService:{status:"normal"},monthly:{status:"normal"},opinion:{status:"normal"},qa:{status:"normal"},learningSheet:{status:"normal"},retirement:{status:"normal"},govInfo:{status:"normal"},advertisement:{status:"normal"},liveSlider:{status:"normal"},visit:{status:"normal"},host:{status:"normal"},english:{status:"normal"},englishNews:{status:"normal"},englishSlider:{status:"normal"},iAmHere:{status:"normal"},iAmHerePicture:{status:"normal"},log:{status:"normal"},group:{status:"normal"},note:{status:"normal"},counter:{status:"normal"},project:{status:"normal"},schedule:{status:"normal"},audio:{status:"normal"},state:{status:"normal"},track:{status:"normal"},playerTrack:{status:"normal"},favorite:{status:"normal"},historyLocation:{previousLocation:null,currentLocation:null},pages:{home:{dataMap:{program:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},languageProgram:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},latestNews:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},recommendedNews:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},advertisement:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},visit:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null},radio:{fetched:!1,fetching:!1,data:{rows:[],count:0},error:null}}},iAmHere:{data:[],count:0,page:1,fetching:!1,fetched:!1},iAmHereItem:{fetching:!1,fetched:!1,item:{},error:null},likedIAmHere:{ids:[]},myIAmHere:{data:[],count:0,page:1,fetching:!1,fetched:!1},search:{type:"",fetched:!1,result:{count:0,rows:[]},pagination:{page:1,size:10,order:"createdAt",desc:!0}}},ui:{alert:{opened:!1,level:"info",message:""},confirmModal:{opened:!1,message:""},header:{menuOpened:!1},searchModal:{opened:!1},sideCanvas:{favoriteOpened:!1,playlistOpened:!1,radioOpened:!1},sideNav:{opened:!1,focusAfterToggle:null},audioPlayerPlaybackRatePanel:{opened:!1},audioPlayerVolumePanel:{opened:!1}},userAuth:{logined:!1,status:"NORMAL",isInited:!1},global:{favorite:{data:[],count:0,fetching:!1,fetched:!1,deletedId:""},focus:{currentElement:null,prevElement:null},fontSize:{level:"middle"},live:{channels:[],fetching:!1,fetched:!1},bulletinCatalog:{data:[],fetching:!1,fetched:!1},programCategory:{data:[],fetching:!1,fetched:!1},languageCategory:{data:[],fetching:!1,fetched:!1},newsSource:{data:[],fetching:!1,fetched:!1},newsCategory:{data:[],fetching:!1,fetched:!1}}},routing:{locationBeforeTransitions:null}}