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聚焦亞洲:80及90年代日本經典歌曲回顧
\n\n1980至1990年代的日文流行歌曲(J-Pop 前身),是日本音樂產業現代化與文化輸出過程中的關鍵階段,融合本土美學與西方音樂技術,形塑出獨特的音樂語彙與視聽風格。此時期的音樂深受美國與英國流行音樂影響,特別是搖滾、放克、R&B 及電子合成器音樂(Synth-pop),進而演變出如「City Pop」等代表性子類型。City Pop 以都會生活為主題,結合 AOR(成人導向搖滾)、Jazz Fusion、Disco 與電子合成器音色,反映出當時日本高度經濟成長下的都會文化與消費美學。
\n\n在音樂製作上,此時期大量採用數位錄音技術與 MIDI 編曲,使音樂呈現更高的製作精度與細膩度。歌手如松田聖子、中森明菜、安全地帶、杏里、山下達郎、竹內瑪莉亞與大瀧詠一等,代表了此時代曲風的多樣性與高品質,無論在旋律設計、和聲安排、歌詞詩意性或聲線表現上皆展現高度完成度。80、90年代的日文流行歌曲不僅為當時日本國內主流音樂市場奠定基礎,更影響後續 J-Pop 產業的全球化進程,並在21世紀後透過網路與串流媒體重新獲得國際關注,成為當代亞洲音樂文化的重要研究對象。
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Monday through Friday, the daily program themes are as follows: 【Western Songs Sailing Line】, introducing British and American indie music, presented thematically. 【Mando Pop Music】The most popular indie Chinese music (Chinese, Taiwanese, Cantonese, Indigenous) is introduced and presented thematically. For example, it introduces the most exciting rhythm and blues Chinese pop songs and Chinese movie theme songs recommended in 2014. 【Focus on Japan and Korea】 Mainly introducing Japanese and Korean pop and indie music and presented thematically. 【Music Global Village】 Introducing popular music from other regions outside the UK, US, Japan and Korea. For example, popular songs from Nordic countries, Europe, South America, Central Asia. 【Listen to the classics】, especially introducing the classic indie music and pop songs before 2005, and presenting them according to themes. Such as 1990-2000 Chinese Top 100 Albums Review, Western Rock n Roll Hall of Fame.
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主題音樂館:宅音樂系列
\n\n自宅錄音(Home Recording)在流行音樂領域的興起,標誌著音樂製作從專業錄音室向個人化、民主化方向的重大轉變。自1980年代中後期起,隨著四軌錄音機(如TASCAM Portastudio)與數位合成器的普及,音樂人開始在家中進行錄音、編曲與混音,降低了創作門檻,也拓展了創作的自由度。進入1990年代與2000年代,數位音樂工作站(DAW)如Pro Tools、Cubase、GarageBand 與 Ableton Live 的發展,使得電腦成為中心化製作平台,自宅錄音的技術條件與音質水準顯著提升。
\n\n自宅錄音所帶來的最大改變在於音樂生產的去中心化。創作者不再依賴大型唱片公司與錄音室資源,即可進行獨立製作與發行,進而催生大量 indie(獨立)音樂人與自媒體型態的音樂創作社群。此外,自宅錄音也帶動了 lo-fi aesthetics(低傳真美學)的興起,將雜訊、不完美與手工感視為風格元素之一,反映出反主流、強調真實性的文化傾向。
\n\n在流行音樂結構上,自宅錄音允許音樂人反覆實驗與微調旋律與節奏,創造出更具個人風格的作品,並在音樂場景中產生跨地域、跨文化的交流模式。今日自宅錄音已不僅是技術手段,更是一種文化實踐,深刻改變了流行音樂的製作流程、生態結構與創作者身份。
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